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The SuperCollider Book (Mit Press) ハードカバー – 2011/4/15
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The essential reference to SuperCollider, a powerful, flexible, open-source, cross-platform audio programming language.
SuperCollider is one of the most important domain-specific audio programming languages, with potential applications that include real-time interaction, installations, electroacoustic pieces, generative music, and audiovisuals. The SuperCollider Book is the essential reference to this powerful and flexible language, offering students and professionals a collection of tutorials, essays, and projects. With contributions from top academics, artists, and technologists that cover topics at levels from the introductory to the specialized, it will be a valuable sourcebook both for beginners and for advanced users. SuperCollider, first developed by James McCartney, is an accessible blend of Smalltalk, C, and further ideas from a number of programming languages. Free, open-source, cross-platform, and with a diverse and supportive developer community, it is often the first programming language sound artists and computer musicians learn. The SuperCollider Book is the long-awaited guide to the design, syntax, and use of the SuperCollider language. The first chapters offer an introduction to the basics, including a friendly tutorial for absolute beginners, providing the reader with skills that can serve as a foundation for further learning. Later chapters cover more advanced topics and particular topics in computer music, including programming, sonification, spatialization, microsound, GUIs, machine listening, alternative tunings, and non-real-time synthesis; practical applications and philosophical insights from the composer's and artist's perspectives; and "under the hood, developer's-eye views of SuperCollider's inner workings. A Web site accompanying the book offers code, links to the application itself and its source code, and a variety of third-party extras, extensions, libraries, and examples.
- 本の長さ456ページ
- 言語英語
- 出版社Mit Pr
- 発売日2011/4/15
- 寸法21.11 x 3.35 x 23.65 cm
- ISBN-100262232693
- ISBN-13978-0262232692
この商品を買った人はこんな商品も買っています
- Electronic Music and Sound Design - Theory and Practice with Max 8 - volume 3Alessandro Ciprianiペーパーバック
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著者について
Scott Wilson is Senior Lecturer in Music at the University of Birmingham, England.
Scott Wilson is Senior Lecturer in Music at the University of Birmingham, England.
David Cottle is Lecturer Associate Professor at the School of Music, University of Utah.
Nick Collins is Lecturer in Music Informatics at the University of Sussex.
登録情報
- 出版社 : Mit Pr (2011/4/15)
- 発売日 : 2011/4/15
- 言語 : 英語
- ハードカバー : 456ページ
- ISBN-10 : 0262232693
- ISBN-13 : 978-0262232692
- 寸法 : 21.11 x 3.35 x 23.65 cm
- Amazon 売れ筋ランキング: - 166,204位洋書 (洋書の売れ筋ランキングを見る)
- - 64位MIDI & Mixers
- - 136位Music Composition
- - 263位Music Reference
- カスタマーレビュー:
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The book encourages experimentation, which is the only hard-fast method for discovering how SC will ultimately be of use to the user.
If you have tried SC and liked it, then you will understand that the program's capabilities are limited almost entirely by the user's imagination. It can be overwhelming to limit yourself to working on just one idea at a time in SC, and the accounts of the authors in this book as to their approaches working within SC provide continuous inspiration for my projects.
As for packaging, etc: The hardcover that I received was in perfect condition, packaged well, and delivered promptly.
